During my time at Open Letter Books I had the distinct pleasure of meeting Will Evans, the Publisher and Executive Director of the newly launched Deep Vellum Publishing. Will’s dedication to translated literature is admirable and I have no doubt in my mind that Deep Vellum’s upcoming list will be a spectacular addition to works in translation and the publishing industry as a whole. All of this aside, Will is ridiculously funny, has (had?) some kickass facial hair, and watching him and Chad bromance bond over Russian literature and world cup soccer was an entertaining highlight to any day in the office.
Here’s part of the Press Release for Deep Vellum’s Launch:
On May 27, 2014, Deep Vellum, an independent non-profit publisher of books in translation, launches in New York City, timed to Book Expo America. Its debut authors are recipients of numerous international awards and worldwide acclaim, several of whom have never before been available in English.
Led by Publisher and Executive Director Will Evans, Deep Vellum was founded to connect the world’s greatest contemporary writers of literature and creative nonfiction with English-language readers through original translations, while facilitating educational opportunities for students of translation in the Dallas community, and promoting a more robust book culture in Dallas and beyond.
“I was inspired to start Deep Vellum when I learned just how few literary translations were published each year in the U.S. and how many timeless works of literature remain to be translated into English,” said Evans. “I wanted to start Deep Vellum in Dallas because this is an exciting, vibrant, ever-evolving city that supports the arts and big bold ideas. My dream is to publish the world from Dallas, raising the profile of world literature in America’s book culture, and promoting the cross-cultural dialogue that comes from reading translated literature.”
Deep Vellum has been awarded grants from a number of cultural organizations, including the Hemingway Grant from French Cultural Services office, for Anne Garréta’s Sphinx; the Transcript Grant from the Prokhorov Foundation for Mikhail Shishkin’s Calligraphy Lesson: The Collected Stories; aPROTRAD grant from the Mexican government’s FONCAprogram for the Sergio Pitol and Carmen Boullosa novels; and a grant from the Council of Literary Magazines & Presses
I’m especially excited for Calligraphy Lesson: The Collected Stories by Mikhail Shishkin (I adored Maidenhair) and The Indian by Jόn Gnarr.
Calligraphy Lesson: The Collected Stories by Mikhail Shishkin (November): The first English-language collection of stories by the only author to win all three of Russia’s major book prizes and a worldwide celebrity, including five stories that have been published in various English-language sources (Words Without Borders, Read Russia Anthology, Spolia, the Independent, New England Review) and several previously untranslated stories (including two previously unpublished in any language). Shishkin is the first and only writer to win the three major Russian literary awards (the Russian Booker, National Bestseller, and Big Book Awards).
The Indian by Jόn Gnarr (March 2015): The Indian is a highly entertaining, bittersweet autobiographical fiction by the world-famous Icelandic comedian and Mayor of Reykjavik, Jón Gnarr, described by VICE Magazine as “boundlessly creative and extremely compassionate.” Diagnosed as a child as “retarded” because of his severe dyslexia and ADHD, Gnarr spent several years in a “home for retarded children.” He finally escaped, only to find himself subject to ridicule in regular schools for being slow and red-headed. Subjected to constant bullying, young Gnarr watched Westerns, always rooting for the Indians to defeat the bully cowboys. Taught in schools throughout Iceland, The Indian resonates with young readers as much as with parents of children with emotional and learning issues as with readers of world literature. The Indian is the first novel in a trilogy on Gnarr’s youth that Deep Vellum will be publishing in its entirety.